Moss Garden is deep and cinematic. It reminds me very much being in the thick, wet undergrowth of a plant world where beauty, danger and uncertainty wait around every corner.” – Taylor Deupree

“I wonder if they have recorded the sounds on casettes, as these hiss sounds are providing extra beauty to the drone sounds. As if a deep sea with an outstanding view, the transparent water like block of sounds sink deeply into your soul.” – Chihei Hatakeyama

The cosmic ocean beckons you… The lapping of interstellar waves calls you back to the Currents of Space…

Urban Meditation once again visits well-known areas that were first explored on his second album “Currents of Space.” This time, the experienced space traveler is not alone…he brings an international exploration team – well-known audio experts from the UK, Ireland, Germany, Russia, Iceland, and Japan set out to dig deeper on his musical findings.

“Recurrence of Space” is the remix companion of the widely acclaimed 2019 album “Currents of Space.” Made possible by the limitless reach of social media, this double album offers new interpretations by highly respected artists like Ambidextrous, Mick Chillage, Si Matthews, and Sven Kössler.

Clockwork Manor is number 9 in a series of Neo Ouija compilations.

Neo Ouija is back with another Killer compilation, this time it pushes things to the future, once again with some familiar faces( NAME A FEW ) to the label and some new comers just flying in with new music from nowhere but feels like we have heard from them before, music this good really should be made illegal.
This really is music for fussy listeners as it covers a wide range of styles and sounds, from blissed out ambient vibes to skull crushing madness

Its great to see this label getting back to the good old days when it was just about how good the music is.

Don’t miss out on this 3 disc set with stunning artwork.

Don’t miss out and have to pay them crazy Discogs prices. Buy now save for the future with Neo Ouija.

Tracks:
Numberbear_Brick Factory
Karsten Pflum_Anima
Ruxpin_Lebanon
John Tejada_Ode
Velum_Break Infinis
DTACK_Polyhedra
Logreybeam_Another Option
Recue_Oxalic
Proswell_Bishamonten
Dialed_4D3x
BLN_Ly Oc
aAirial_Monochrome
Drøn_Leaf
Ambidextrous_Counter Relief
Min-Y-Llan_Chants (Murya Remix)
Olaf Wempe_The First Time I Saw Your Moment
Carbinax_Capable Beast
Weldroid_Andromeda
Octavcat_Icefield
Z Arc_Charm Spiral
Wolf Asylum_Danc’n Hooves
Vim_RGB’d(Sans L)
exm_11-25
Weld_Attain
Blaen_June 19th
Inigo Kennedy_The Walker
Zainetica_Gone Response
Isaac Rohr_BxDrums
4T Thieves_We
Buspin Jieber_Radiation
Erell Ranson_778313-3
h7 buffer_Qwon Trill
An On Bast_Paper Planes
Makirikur_Do Not Know
WRNR_No Pain No Cry
Floating Spirits_Seperate

Compilation of the first 5 records.
On Compact Disc or Digital for broken hard drives

With 15 artists from the likes of ILUITEQ, Ambidextrous, Takuya Morita, Tsone..
Contributing almost 6hrs of music, the set takes you deep into immersive ambient dreamscapes and on cosmic electronic voyages of discovery.

Given Bryn Jones’s rather slack approach to track titles (both being consistent with and sometimes even just supplying them), it’s a bit of a relief to realize that two tracks with the same name are indeed related. In the case of “Arab Jerusalem”, which makes up nearly half of the newly-released Lalique Gadaffi Handgrenade, that kinship is immediately apparent even though both tracks are clearly their own experiences. Released as the first track on the Minaret-Spearker picture disc 7″ in 1996, “Arab Jeruzalem” (spelling also sometimes being fairly slack) is nearly six minutes of effectively shifting dark ambience, wordless female vocals drifting over the hand percussion, chimes, and static of the track, with eventual conversational loops discussing… something underneath. The end of that version is especially striking for the way the woman’s wordless singing starts being sampled in such a way that it overlays the whole track (and, slightly, itself). The almost 24-minute “Arab Jerusalem” here might be called the Deer Hunter version of the same story, building with great patience and many more abstract detours towards what now seems like simultaneously an excerpt and, now, a climax. As with many of Jones’ more ambient tracks, the great length just lets it cast its spell more thoroughly and entrancingly. The other three tracks, meanwhile, suggest some of Jones’ other work but never evoke them as directly as “Arab Jerusalem”. “Jordan River” is nearly as long (a second shy of 20 minutes) but strips out the vocal elements in its predecessor, focusing instead on a more active percussive workout (analog and digital both). The title track of Lalique Gadaffi Handgrenade might bring to mind the title of “Lalique Gadaffi Jar” from Libya Tour Guide, last reissued by Staalplaat in 2015 (ARCHIVE 031CD), but if they’re sonically related Jones must have practically melted the other track to get this one. And the closing “Desert Gulag” (like the title track, a much more manageable length than the first two epic tracks here) bears a slight resemblance to “Negev Gulag” from 1996’s Fatah Guerrilla, here what was a piercing, repetitive drone is softened and looped over more of Jones’ percussion. The result is a well-rounded release that shows off many aspects of Jones’ sound as Muslimgauze, while existing (like many of these DAT tapes do) in conversation with much of his previously released work. All tracks written, performed, mixed by Muslimgauze. Recorded, engineered, mixed by John Delf. Unreleased material. Edition of 700.