Belgian label Colours is a collective of ambient electronic artists running a small, virtual enclave for like-minded practitioners of fine sonic art. Cycles of Moebius obviously embrace a pretty committed and focused work ethic; their debut, a massive four CDR work called RGBW, plays like a compendium of electronic music’s rich heritage from the 70s onwards. CoM comprise a duo of enterprising synth boffins who not only lovingly embrace the potent tempos beloved of so many classic ambient purveyors, but do so without the slightest bit of pretension or irony; electronic music, plain and simple, indulging in styles past minus categorical baggage, erected with clean hands and composure.
Encompassing individual tracks, mini-suites, and suites, often blending tracks together into a unified whole, RGBW has it all in one massive package: post-Namlook ambient, widescreen cinematic atmospherics, Berlin School-inflected sequencer riffing, nostalgic 90s beatstuff, and just about every sub-genre you can pack in-between. Throughout the journey, many delights await, such as the various “Cycle” tracks, both in their numbered and ‘re’-cycled forms, spin colorful threads of analog and digital gossamer into tapestries of engaging rhythmic patterns and deep-space calisthenics. Nearly four hours of music herein, and not a duff note in the bunch.
The God Particle was made in the spirit of magic number 7. This is the 7th album and celebrates 7 years in the world of ambient music by Aythar. After so many years, the desire for challenges and experimentation was still stimulated in preparing this new album. In offering this album not only for the fans of this music genre, but also for the ones, who just started to get to know it. The God Particle is for anyone who let themselves be carried away by the notes to an inner journey… Into a world, where you can go deep into your thoughts and feelings. Where you can find calmness and peace. A new relation with ourselves.
Irislight is the nom de disque of Adam Sykes, former owner/operator of the label of the same name from 1996-2007. Iris Light stood out from the UK ‘electronica’ scenes of the time by defying categorization and fickle trends, instead priding itself as an issuer of random access datastreams by the likes of Aube, Penumbra, Blue, and Maeror Tri, amongst many others.
Now reclaiming the label name as his newest alter-ego, Sykes premiers a single, longform work of edgy ambient moods, mindstates, and malcontents. It’s obvious to us that the choice of Irislight as Sykes’s recording entity illustrates something quite special indeed, and hopefully a reincarnation that will bear further fruit. “Twilight” ambient through which shards of light occasionally peek through, littered with spectral background industrial pulses brushed by metallic winds, this is a captivating work whose charm works it way sinuously up the spine, into the frontal lobe, and lodges in memory.
Vasco de Gama is the debut release by Jeff Düngfelder aka Ümlaut. It is music of exploratory thought, influenced by his multicultural neighborhood in Queens, New York City. Born of an ever expanding inner journey, mystery and chance mixed with dissonance, memory and imperfection carve a singular path throughout his songs. Using computer-as-instrument, and patching together fragments of sounds, textures and a warm palette of noise, a richly layered experience initiates a journey to an unknown. An amalgam of found acoustics tweaks the listener’s imagination, opening it to reflection and discovery. Careful and deliberate manipulation of sound seamlessly juxtaposes the digital world with field recordings merging the universal with the personal. Thinking becomes the means of travel.
EAR/Rational Music was born in 1992. We’ve been around since before the web, really. The site owes its existence, in large part, to Rob Vaughn, a fellow nm-list member, who, in 1991, was having difficulty locating some Delerium CDs. I was living in Santa Barbara at the time, and knew my local shop (Morninglory Music–RIP) stocked them, so as a fellow music lover, I bought them and shipped them to Rob. After doing that, it occurred to me that providing music for folks who were having a difficult time finding it was a worthwhile pursuit, so in 1992, EAR/Rational Music was born.
Those were the days of 14.4k modems and dumb terminals and the “shop” consisted of a makeshift desk (a hollow interior door), a bunch of CDs in piles on top of that door, and a terminal and modem. Orders arrived via email. Invoices were literally written up in a receipt book. For years, checks were the only method of payment accepted, typically after the order had been received by the customer. Yes, I got stiffed a few times.
By 2003, we had a newer website with a shopping cart, courtesy of Mat White, and EAR/Rational moved into a small custom-built barn in the backyard. That site lasted until 2014, when it started to crumble due to outdated PHP code. I could’ve learned how to update the code. If I’d had the time, that is. Instead I thought it was time to try something new. That thinking eventually culminated in this site, with the help of Harald Lapp. In actuality, “help” is an understatement–Harald did this. And for that I’m thankful beyond words.
Please know that EAR/Rational has always been a hobby, something that consumed the “spare time” while in graduate school or working full time. Keeping everything in stock was too costly, so instead, orders were collected from customers, items were sourced from distributors on as regular a basis as possible, and eventually orders were filled–mostly. The toughest part of running this business is not knowing when releases are no longer available from our distributors. Sometimes they make a point of announcing that something or other is gone for good, but most of the time, there is no way to know a prized CD or LP (or book or DVD) was no longer available until we tried to order it.
So yes, we’re back. With the same ground rules as before–some items are in stock but many aren’t. Because of this, the shopping cart does not normally collect payment info. If all the items you want are in stock, you can pay with PayPal. Otherwise you will receive an invoice via PayPal (or Flint if you prefer, but note that you need not have a PayPal account to pay via their website) once the order is complete and ready to ship to you.
An additional ground rule–my day job requires a great deal of travel–pretty much every other week. Most trips are three-day jaunts to San Francisco (and occasionally other U.S. destinations), although the job took me to India twice in 2016, and will do the same in 2017. So, if you order something that’s in stock when I’m out of stock–er, Colorado–then there will be a delay before your order is shipped.
